Versilian Studio Tubular Bells v1.0 VSTi RETAIL-SYNTHiC4TE: A Review
If you are looking for a realistic and versatile tubular bells instrument for your music production, you might want to check out Versilian Studio Tubular Bells v1.0 VSTi RETAIL-SYNTHiC4TE. This is a virtual instrument that features a deep-sampled set of tubular bells with a wide dynamic range and a rich sound quality.
Versilian Studio Tubular Bells v1.0 VSTi RETAIL-SYNTHiC4TE is compatible with Windows and Mac OS, and comes in both VSTi/AU and Kontakt formats. It has a simple and intuitive user interface that allows you to adjust the volume, pan, reverb, and release of the instrument. You can also choose between two articulations: hit with sustain pedal or hit without sustain pedal.
The instrument has 58 samples across 1.5 octaves of chromatic sampling, with up to 5 velocity layers and 2x borrowed round robins for added realism. The chimes' delays were recorded up to 20 seconds, so you can hear the full resonance of the bells when you press down the sustain pedal. The instrument also has a very low CPU and RAM usage, making it ideal for any project.
Versilian Studio Tubular Bells v1.0 VSTi RETAIL-SYNTHiC4TE is one of the best-selling products from Versilian Studios, a virtual instrument development company based in Connecticut that focuses on creating affordable and quality instruments for students and professionals alike[^2^]. The tubular bells instrument was sampled in 2013 from a set of venerable Degan chimes, and has been updated since then to improve the look and feel of the UI and sample set[^1^].
If you want to hear how Versilian Studio Tubular Bells v1.0 VSTi RETAIL-SYNTHiC4TE sounds like, you can listen to some demos on their website[^1^]. You can also purchase the instrument for only $10 from their online store[^1^]. Whether you need tubular bells for orchestral, cinematic, or ambient music, Versilian Studio Tubular Bells v1.0 VSTi RETAIL-SYNTHiC4TE will deliver a stunning performance that will enhance your musical creativity.
Tubular bells have a long and fascinating history that dates back to the 19th century. They were first invented in Paris by John Harrington, an Englishman who patented tubular bells made of bronze[^3^]. They were initially used as a substitute for church bells in towers, as they were easier to tune and transport. They soon caught the attention of composers, who saw their potential for musical expression.
One of the first composers to score for tubular bells in the orchestra was Arthur Sullivan, who used them in his 1886 performance of The Golden Legend in Coventry[^1^]. Since then, tubular bells have been featured in many classical and contemporary works, such as Gustav Holst's The Planets, Igor Stravinsky's The Firebird, John Williams's Harry Potter and the Philosopher's Stone, and Mike Oldfield's Tubular Bells.
Tubular bells are also known as orchestral bells or orchestral chimes. They are usually arranged in a chromatic scale and suspended from a metal frame. They are played with wooden hammers that strike the top edge of the tubes. The tubes vibrate and produce a clear and resonant sound that can be heard over the orchestra. The sound can be sustained by using a pedal, or dampened by releasing it. The instrument's range is typically 1 1/2 octaves upward from the C above middle C. aa16f39245